The film Vivre sa vie, directed by Jean Godard, contains and prompts thought on a variety of philosophical and sociological concepts. The eleventh scene is perhaps the most directly philosophical scene. The main character, Nana [Anna Karina] and a philosopher in a café, Brice Parain [playing himself] meet by chance and discuss the relationship between language, thought, truth, and authentic expression[i]. Continue reading “Vivre sa vie: Nana the Unwitting Philosopher”
blue ink notes 